Holly Zausner

SOLO EXHIBITIONS

2010	Re-Edit, Galerie Wohnmaschine, Berlin, Germany
2008	Film Drawings, Galerie Wohnmaschine, Berlin, Germany
2007	Unseen, Bode-Museum, Berlin Germany
	Unseen, Galerie Wohnmaschine, Berlin, Germany
2005	Second Breath, Neue Nationalgalerie Berlin, Germany
	Second Breath, Galerie Wohnmaschine, Berlin, Germany
2004	The Beginning…,Barbier-Mueller Museum, Barcelona, Spain
	Neue Nationalgalerie, Berlin, Germany
2003	The Beginning…, Galerie Wohnmaschine, Berlin, Germany
	The New Beginning, Kunstverein Goettingen im Kuenstlerhaus, Germany
2002	G- Woman/ G-Man, Württembergischer Kunstverein, Stuttgart, Germany
2001	G-Woman, Galerie Wohnmaschine, Berlin, Germany
	Galerie Wohnmaschine, Sculpture Statement Art Cologne,
1999	Cologne, Germany
1998	Caren Golden Fine Art, New York, NY
1997	More Lost Illusions, Galerie Wohnmaschine, Berlin, Germany
	More Lost Illusions, Verein zur Förderung Künstlerischer Projekt
	Mit gesellschaftlicher Relevanz e.V., Wiesbaden, Germany
	Lost Illusions, Gramercy International Contemporary Art Fair,
	New York, NY
1996	Blue Angel, Galerie Wohnmaschine, Berlin, Germany
1992	Sculpture Center, New York, NY

SELECTED GROUP EXHIBITIONS

2007	Agitation and Repose, Tanya Bonakdar Gallery, New York, NY
2005	War, Millennium Museum, Beijing, China
	Skirting the Line: Conceptual Drawing, DePauw University, Greencastle, IN
	Realism Reversed, gallery Christian Dam, Copenhagen, Denmark, Oslo Finland
	Loop 05, Barcelona, Spain
2004	Film Program, NGBK, Berlin, Germany
2003	Himmelschwer, Landesmuseum Joanneum, Graz, Austria and
	Brandts Klaedefabrik, Odense, Denmark
2002	UN RAPPORT D'OEIL, Galerie Müller-Roth, Stuttgart, Germany
	Log- in/ Locked out, Akademie der Künste/Academy of Arts,
	Berlin, Germany
2001	Horizont, Art Agents Gallery, Hamburg, Germany
	Once, Then Something, Sculpture Center, New York, NY
	Face off, Art Cologne, Germany
2000	Group Show, Galerie Hafemann, Wiesbaden, Germany
1998	Fashioned, White Box, New York, NY
	Brite Magic, Islip Art Museum, East Islip, NY
	Shake, PS 122, New York, NY
	Ordinary/Extraordinary: Anne Agee, Aric Obrosey, and Holly Zausner,
	Johnson County Community College Gallery of Art, Overland Park, KS
1997	Strange Days, Caren Golden Fine Arts, New York, NY
	Canny, Art Projects International, New York, NY
	Projectroom, Galerie Margrit Gass, Basel Switzerland
	Flex Color, Apex Art, New York, NY. Curated by Raphael Rubinstein.
	White Out, Workspace, New York, NY
1995	Ooze, Black and Heron Space, New York, NY
	Between This and That, 8th Floor Gallery, New York, NY
	Table of Contents, 450 Broadway Gallery, New York, NY
	Body as Metaphor, Bard College, Annandale on Hudson, NY
1994	Random Access, Ranmarine Gallery, Long Island City, NY
	Reverence for Clay/Irreverence, Trans Hudson Gallery, Jersey City, NJ
1993	Bodily, Penine Hart Gallery, New York, NY
	Suspended Figure II, Saint Peter’s Church, New York, NY
1990	Image, Object Abstracted, City University Graduate Center,
	New York, NY
	An Obscure Object to Desire, Marymount College Gallery, New York, NY
1989	Emerging Sculptors, Sculpture Center, New York, NY
	Two Person Show, The Gallery, New York, NY
1987	Group Exhibition, Bond Gallery, New York, NY

PERFORMANCES

2005	Desktop War, Millennium Museum, Beijing, China
2004	Deutsches Historisches Museum, Berlin, Germany
2003	Landesmuseum Joanneum, Graz, Austria
	Brandts Klaedefabrik, Odensee, Denmark
	Goettinger Kunstverein, Goettingen, Germany
2002	G- Woman/ G-Man, Württembergischer Kunstverein, Stuttgart, Germany

AWARDS

1997	Verein zur Förderung künstlerischer Projekte mit gesellschaftlicher
	Relevanz e.V., Wiesbaden, Germany
1993	Artist’s Fellowship, New York Foundation for the Arts, Sculpture

BIBLIOGRAPHY

Cardella, Avis “ueber alles”, British Vouge, December, 2003
Charley Magazine, Charley 01, 2002
“Die neuen Aufsteigerinnen”, Kunstzeitung, January 2002
Bakke, Erik. “Studio Visit with Holly Zausner””, NY ARTS, June 1999
“Critic’s Picks: Shake,” Time Out New York, June 18-25, 1998.
Ebeling, Knut. Berliner Zeitung, June 12, 1996.
Fiedler, Tanja. “Holly Zausner,” Ticket, Number 42, 1997.
Fiedler, Tanja. “Pretty in Pink: Holly Zausner’s schöne neue Welt aus Gips,” Ticket,
Number 41, 1997.
Goldman, Christopher. “Jewish artist part of modern art exhibit at JCCC through April
29,” The Kansas City Jewish Chronicle, March 20, 1998.
Henze, Nikola, “ Klinische Suenden,”Berliner Morgenpost, June24,1999.
Jana, Reena. “Once Then Something”, Time Out New York, April 19-26, 2001
Johnson, Ken. “Art in Review: Once Then Something”, The New York Times, April 20, 2001
Johnson, Ken. “Holly Zausner,” The New York Times, November 13, 1998.
Johnson, Ken “Art in Review: Strange Days,” The New York Times, January 2, 1998.
Koplos, Janet, “Holly Zausner at Caren Golden”, Art in America, September 1999.
Levin, Kim. The Village Voice, April 17, 2001
Levin, Kim. The Village Voice, March 6, 2001
Levin, Kim. “Voice Choices,” The Village Voice, November 25, 1998.
Levin, Kim.“Strange Days – Voice Choice,” The Village Voice, December 23, 1997.
McElheny, Josiah “Holly Zausner's Bodies ”, BOMB, Fall 2008.
Melrod, George. “New York Reviews,” Sculpture, January/February 1994.
Melrod, George. “New York Reviews,” Sculpture, July/August 1993.
Muller, Katrina Bettina,”Das Wesendes Abwesenden,”Der Tagespiegel, June 26, 1999.
Muller, Katrin Bettina. “Neues aus Berliner Galerien,” Tip, June 27, 1996.
Muller, Mario M. “The Syntax of Media: Daniella Dooling at Anna Kustera Gallery and
Holly Zausner at Caren Golden Fine Art,” Review, November 15, 1998.
Newhall, Edith. “Talent,” New York Magazine, November 16, 1998.
Nikolova, Milena. “Reviews,” Flash Art, November-December 1999.
Phillips, Christopher. “Berlin ’97: Surge to the Mitte,” Art in America, January 1997.
Raven, Arlene. “Days With Art,” The Village Voice, October 5, 1993.
Raynor, Vivien. “Diverse Visions, Common Ground,” The New York Times, July 30,1995.
Rubinstein, Raphael, “Watching the Skies”, Art in America, November 2004
Rubinstein, Raphael, “Plychrome Profusion, Selected Art Criticism: 1990-2002”, Hard Press Editions, 2003
Russ, Sabine and Volk, Gregory. “Once, Then Something”, New York Arts, March 2001
Schmid, Karlheinz. “Die neuen Aufsteigerinnen”, Kunstzeitung, January 2002
Stiller, Veit. “Der rätselhafte Tanz der gelben Gummischlangenfrauen”, Die Welt, November , 2001
Thorson, Alice. “A Way Out of the Ordinary,” The Kansas City Star, March 29, 1998.
Walz, Cara. “Beautiful Pop,” Pitch Weekly, April 2-8, 1998.
Watkins, Eileen. “Reviews,” Newark Star Ledger, September 3, 1995.
Watkins, Eileen. “Reviews,” Newark Star Ledger, December 5, 1993.
Werneburg, Brigitte. “Eine endlose, niemals endgültige Form”, Die Tageszeitung, October 2001
Werneburg, Brigitte. “Klare sprachliche Unklarheit und andere Trübheiten,” TAZ,
October 11, 1997.
Wünnenberg, Inge. “Dynamik des Früstücks,” Frankfurter Allgemeine, July 21, 1997.
Zimmer, William. “Sculpture at Two Displays in Wayne,” The New York Times, December 5, 1993.

CATALOGS

Stemmrich, Gregor. "unseen". Berlin, Germ,any, Bode-Museum, 2007
Arning, Bill. Ordinary/Extraordinary: Anne Agee, Aric Obrosey, Holly Zausner. Overland Park,
KS: Johnson County Community College Gallery of Art, 1998.
Christofori, Ralf. Blending Opposites. Berlin, Germany, Galerie Wohnmaschine, 2001
Griffiths, Marian. Four Sculptors. New York, NY: Triplex Gallery, BMCC, 1990.
Princenthal, Nancy. Idio Cognito. New York, NY: Police Building, 1993.
Rubinstein, Raphael. Flex Color. New York, NY: Apex Art, 1997.
Rubinstein, Raphael. Holly Zausner. Berlin, Germany: Galerie Wohnmaschine, 1996.
Russ, Sabine, ”Jesus died for somebody’s sins, but not mine” Berlin, Germany,
Schwabsky, Berry. About Plasticity. Berlin, Germany, Galerie Wohnmaschine, 2001
Schwabsky, Barry. White Out. New York, NY: The Workspace, 1997.
Weld, Allison. Holly Zausner. New York, NY: Sculpture Center, 1992.